Captain Aldrich and the “Dance of Death”

Statue to USCT troops in the Battle of Nashville by sculptor Roy Butler

Statue to USCT troops in the Battle of Nashville by sculptor Roy Butler

The 17th Infantry, United States Colored Troops, was initially organized in the city of Murfreesboro, Tennessee, in the fall of 1863, soon after the Battle of Chickamauga. It began by recruiting a combination of local “contrabands,” some 300 like minded Blacks from Alabama, plus additional free Negro volunteers from Ohio. Despite the need for fresh troops at the front, however, the 17th remained in the Middle Tennessee region, serving as garrison troops and then on duty with the quartermaster in Nashville. Throughout most of 1864 they were mostly on rear echelon duty, guarding the commissary warehouses in Nashville and likely also used for manual labor by the Federal Quartermaster. Despite being assigned minor duties, everything indicates that the regiment was well trained and was both willing and able to perform combat duties.
As autumn edged towards winter, the need for combat troops to defend Nashville grew. As Sherman embarked on his pillaging expedition through Georgia, he left General George Thomas to fend off the Confederate Army of Tennessee with whatever troops Uncle Billy deemed unfit for the march. The 17th was soon brigaded with other Negro troops into the 1st Colored Brigade under Colonel Thomas J. Morgan, who described the regiment as “an excellent regiment…under a brave and gallant officer.”
The regimental commander in question was Colonel Shafter, who was described as, “cool, brave, and a good disciplinarian.” One of the regiment’s company commanders was Captain Job Aldrich and Colonel Shafter’s brother-in-law. Although the Confederates had besieged Nashville for nearly two weeks, everyone in The Army of the Cumberland knew it was merely a matter of time before General Thomas would give the order to attack and raise the siege. That moment came on December 14, 1864. At last the Negro Volunteers, long relegated to backwater assignments and menial jobs, would be given their chance to fight for freedom.

Negro troops during the Battle of Nashville

Negro troops during the Battle of Nashville

While many faced the coming fight with a mixture of anticipation and anxiety, Captain Aldrich’s mood was entirely different from the rest. Something had come over him: a realization that in the coming fight he would most certainly die. His feeling was not unique. During the war, many men on both sides experienced what they called a presentiment—an intuitive awareness of their forthcoming death. Comrades could argue till they were blue in the face, but when a man had such a presentiment, nothing could be done—and such intuitions inevitably proved true.
So it was with Captain Aldrich on the eve of the Battle of Nashville. His sister in law happened to be in the city at the time, and to her he gave his personal effects, to give to his wife after his death. Then Job sat down and wrote a farewell letter to his beloved wife Ann. Colonel Shafter, on reading it was both disturbed and moved; “it was the most affecting I ever read.” Colonel Shafter, on reading it was both disturbed and moved; “it was the most affecting I ever read.” After expressing his love and reflecting on the happiness they had shared, Aldrich closed, saying:
“The clock strikes one, goodnight. At five the dance of death begins around Nashville. Who shall be partners in the dance? God only knows. Echo alone answers who? Farewell.”
General Thomas planned to launch what today would be called in football a “Hail Mary” strategy: he put overwhelming force into an attack on the Confederate’s left flank, an attack which would steamroller the enemy and roll up their entire line of fortifications. In the coming battle, the 17th USCT was given an important but hazardous assignment. They and their fellow regiments of the 1st Colored Brigade were placed on the far right flank of the Confederate line to launch a diversionary attack. If all went as planned, the Rebels would draw off their best troops from the left to deal with this threat to their right.
On December 15, 1864, despite an early morning fog, the big guns of Fort Negley and the other Union emplacements boomed out, signaling the beginning of the battle. The brigade began from a point close to the river, advancing across a cornfield towards the Rebel lines. The night before Colonel Morgan had scouted the area and believed they faced nothing more serious than a line of rifle pits.
They swept over the Rebel rifle pits with little trouble, but as they moved south of the Murfreesboro Pike and approached the railroad cut of the Nashville & Chattanooga RR, they suddenly encountered heavy resistance. Morgan and his men did not know it, but they had come up against Cleburne’s Division, one of the most experienced and toughest units of the Confederate army. General Cleburne had died at the Battle of Franklin, but his men were still full of fight. Screened by a line of woods, parts of several brigades of the division were lying in ambush, supported by a battery of four cannon protected by a lunette emplacement.
The well disciplined men of the 17th advanced in broad lines, as if on parade. They began crossing the tracks of the cut, thinking the enemy had fled. The Rebs opened up when the Federals were only 30 yards from them. The Johnnies poured round after round of canister from Granbury’s Lunette into the Colored Volunteers at virtually point blank range, while withering volleys exploded in the Federals faces. In a matter of minutes, 825 Union soldiers lay dead in or near the railroad cut. They had succeeded in diverting the enemy right, but at a terrible price.
Captain Aldrich was leading his men across the tracks when Cleburne’s elite troops opened fire. A bullet struck Aldrich in the head and he fell dead. As Aldrich had forewarned, the Dance of Death had found its chosen partner.

Rick Reeves painting, Pride  Over Prejudice, showing USCT troops guarding captured Rebels after the Battle of Nashville

Rick Reeves painting, Pride Over Prejudice, showing USCT troops guarding captured Rebels after the Battle of Nashville

For more uncanny events of the Civil War, read Ghosts and Haunts of the Civil War and The Paranormal Presidency of Abraham Lincoln

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About Christopher Coleman

I am an author, lecturer, and sometime instructor. My interests span a variety of subjects, including Southern tales of the supernatural, American history and folklore, military history in general, as well as archaeology, anthropology, plus various and sundry things that go bump in the night. I currently have six books in print: Strange Tales of the Dark and Bloody Ground, Ghosts and Haunts of the Civil War, Dixie Spirits, Ghosts and Haunts of Tennessee and The Paranormal Presidency of Abraham Lincoln, a factual history of some more esoteric--and hitherto overlooked--aspects the sixteenth President. My book is Ambrose Bierce and the Period of Honorable Strife, published in hardcover by the University of Tennessee Press and chronicling the wartime experiences of young Ambrose Bierce, noted American author. Bierce has been called many things by many people, but idealist, hero and patriot are terms that should be added to the list after reading this book. I am currently at work on several projects, some dealing with the American experience but also several fiction and non-fiction works looking into the Age of Arthur.
This entry was posted in Civil War Christmas, Civil War ghosts, Civil War Historians, Civil War History, Ghosts and Haunts of the Civil War, Nashville, Nashville Ghosts and Haunts, Presentiments, The American Civil War, The Army of Cumberland, The Army of Tennessee, The Battle of Nashville, the Paranormal and tagged , , , . Bookmark the permalink.

One Response to Captain Aldrich and the “Dance of Death”

  1. Gerald says:

    Warfare is a fascinating subject. Despite the dubious morality of using violence to achieve personal or political aims. It remains that conflict has been used to do just that throughout recorded history.

    Your article is very well done, a good read.

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